非常建筑设计的安仁博物馆大桥
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这是由张永和主持的非常建筑工作室最近完成的“1966-1976大事记展馆”，戏称“安仁博物馆大桥”，位于中国四川，博物馆位于一条溪流之上，还可作为人行路桥。里面展示着著名的文革时期的工艺品，那时苏维埃式社会现实主义正影响着中国的传统建筑设计。这是一个让人反思那段时期的地方，外部是那段历史风格赤裸裸地注解，内部用一系列连续事件继续展示着。带有悬臂的巨大屋顶上是一处简单的空间，里面没有安置什么特别典型的基座。很多根斜柱将建筑从地面支起，让溪流从下面自由通过。四个大型天窗横跨屋顶，照亮着展馆内部。临河的下方可以用作户外区域，在那里进行展示、喝茶和表演。屋顶空间可以用来安装雕塑。
Recently completed by Beijing-based atelier FCJZ, the ‘1966-1976 major events pavilion‘, nicknamed the ‘museum-bridge in Anren‘ traverses a river and doubles as a pedestrian bridge in Sichuan, China. Containing artifacts from the great cultural revolution period when the soviet style of socialist realism influenced traditional Chinese architecture. A place to reflect upon this time period, the exterior manifests as a stripped down interpretation of the historical styles displayed inside offering a continuity of time. A large cantilevered roof caps a simple volume which does not ground itself with typical foundations. Clusters of slanted columns elevate the ground level to allow the stream to pass uninterrupted beneath the center, emerging as a symmetrical network of tree-columns. Made from concrete, the rough textured appearance breaks down any classical references and is the result of a construction process with a team of unskilled and local labor force. Visible immediately, the aged aesthetic injects a ‘brutalist‘ character. A hybrid between an inhabitable building, infrastructure and urban streetscape, the structure creates covered stopping points for pedestrians, as well as the main entry into the museum. Four skylights spanning the roof illuminate the interior exhibit spaces. The underbelly along the riverbanks also serves as an outdoor area for display, tea and performances. A roof terrace is used for sculpture installations.
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